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| EVERY
PICTURE TELLS A STORY... 
...
place your mouse over any of the pictures and see what you can discover.
MUSIC
MAESTRO PLEASE 
As
each page is opened you should hear some music, to compliment each story
so, unless you hate music, turn on the sound and ENJOY! |
Jarrold
Design Department 1964
Michael
Oliver: Manager Mike
Fuggle: Head Designer and Deputy Manager Barry
Butcher: Designer Albie Gray: Designer Tony Mullins: Designer
Tony Shearing: Designer Felix
Bernasconi: Artist John Newland: Designer & Artist Nita
Coxall: Xerox Operator Ann-Marie
Arbon: Design Assistant Gillian
Crohill: Design Assistant Sue Howes: Design Assistant Hazel
Lemon: Design Artist Dawne McCarthy: Design Assistant Sylvia
Pointer: Design Artist Tessa Taylor: Design Assistant
Jane Woods : Design
Assistant

Jarrold
Lion The trademark of Jarrold & Sons Ltd, used
on all the Companys printed products, as well as on their stationery and
the flag flying from the top of St James Yarn Mill.
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FEBRUARY
1964
Friday
14 February: Played at Valentine's Day dance at Cromer. Went
down well. Might even get another booking for summer end-of-term
they told us. Still none the wiser about that Valentine card
I got. I still reckon that's someone I know. If only I could
remember who wears orange-blossom perfume.
Saturday
15 February: No work today. My Saturday morning off. Dad's
birthday tomorrow, so must get a card and a pressie for him.
Got nice card from Starling's in High Street, and car cleaning
set from Sadler's Garage. Went to Rink in Cromer. Ricky Lee
and the Hucklebucks were there. Told Norman, the manager,
about my group. He said he'll let us play there one night!
Sunday
16 February: Dads birthday. He liked my card and took
the Turtle Wax I bought him to his garage to buff up his car,
a light-blue Morris 1100. Had a really nice dinner, roast
chicken. Usually only have that at Christmas! Mum had made
him a birthday cake. After tea, went to see Chubby at Cromer.
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|
DO
YOU WANT TO KNOW A SECRET?
Billy
J Kramer
& The Dakotas
You
never know how much I really love you,
You'll never know how much I really care
Listen,
do you want to know a secret,
Do you promise not to tell, woh, woh, woh,
Closer, let me whisper in your ear,
Say the words you long to hear,
I'm in love with you, oo-oo, oo, oo.
Listen,
do you want to know a secret,
Do you promise not to tell, woh, woh, woh,
Closer, let me whisper in your ear,
Say the words you long to hear,
I'm in love with you, oo-oo, oo, oo.
I've
known a secret for a week or two,
Nobody know just we two, oo,oo,oo.
|
|
QUE
SERA, SERA
Written
by Jay Livingston and Ray Evans
For
the film : The man who knew too much (Alfred Hitchcock)
When
I was just a little girl
I asked my mother, what will I be
Will I be pretty, will I be rich
Here's what she said to me.
Que
Sera, Sera,
Whatever will be, will be
The future's not ours, to see
Que Sera, Sera
What will be, will be.
When
I grew up and fell in love
I asked my sweetheart what lies ahead
Will we have rainbows, day after day
Here's what my sweetheart said.
Que
Sera, Sera,
Whatever will be, will be
The future's not ours, to see
Que Sera, Sera
What will be, will be.
Now
I have children of my own
They ask their mother, what will I be
Will I be handsome, will I be rich
I tell them tenderly.
Que
Sera, Sera,
Whatever will be, will be
The future's not ours, to see
Que Sera, Sera
What will be, will be.
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| FURTHER
ADVENTURES OF THE LAD FROM SHERINGHAM |
HAVING
PERFORMED for their first time in public a month earlier
entertaining an unruly crowd of teenyboppers at a childrens
party in Sheringham Chubby and and all his Checkers were
now looking forward to their next booking, appearing as star
turn at the Cromer Secondary Modern schools St Valentines
Day dance. Although Albie would have preferred to play to a more
mature audience at least there should be some money
in it for him, he thought but how wrong he was to be! There
would be no money for them, the groups manager said,
until all his overheads had been paid first and that
was likely to take some time!
T
VALENTINES DAY, the fourteenth of February, was always eagerly
anticipated by Albie, as, each and every year, he looked forward
to receiving a Valentine card in the morning post. Alas, it always
appeared to be the same from one year to the next with the Royal
Mail delivering bills for his parents yet rarely a card for him.
Im
off to work, he told his mother, getting ready to catch the
early-morning train to Norwich, and, if suffin comes
for me, dont you dare open it!
He
said that every year at that time. How he yearned for a sign that
his broken heart would soon be mended. And how the thought of an
unknown admirer would give a boost to his over-deflated ego. He
longed, oh, how he longed, to be intrigued, tantilised, by a message
of lamour
even if it was unsigned, veiled by the mysteries of anonymity.
Gladys
Albies mother was in the kitchen when she heard
the letterbox. She knew the postman was thereabouts of course, on
account of his whistling. A happy tune today, she noticed, but,
there again, it was Friday and almost the end of the week.
Funny how his repertoire varied from day to day, she thought: Mondays,
always the same, Abide With Me, left over from the weekend;
but by Tuesday hed cheered himself up, Men Of Harlech or
Blaydon Races, whilst whistling happier tunes as the week
went on.
Today,
as he went from door to door, the postman was whistling The Sun
Has Got His Hat On but, there again quite appropriate,
as it was rather a nice morning for the second week of February.
Pausing only from his musical renditions to post the mail through
the letterbox, he then set off for the next house and began whistling
the tune from bar one again!
Going
into the front room she stooped to gather the half-dozen letters
laying on the doormat. Three brown envelopes, bills: one from the
electric people, another from the Co-op coal merchant and one from
the Blyth the builders for repointing the brickwork at the side
of the house. There were also two plain white envelopes, postmarked
London and Dunstable, and, finally, half-hidden under the others,
a pink envelope, neatly-addressed to Albie Gray, Regis Cottage,
Regis Place, Cliff Road, Sheringham.
 |
|
| FISHERMENS
BEACH, SHERINGHAM FROM AN OLD PICTURE POSTCARD |
|
I
wonder who thas from, an whas innit,
Gladys said, holding the envelope up to the light in an attempt
to see inside, by the smell o the cheap scent onnit
thas from some mawther... I wonder if I dare open it...
Putting
the kettle on the stove, waiting for it to boil, she held the envelope
in the steam but only succeeded in the postage stamp dropping off
onto the scullery floor the anonymous sender having had the
presence of mind to seal the envelope with Sellotape!
Spuz
Ill just hatta wait now til boy Albie come home,
she sighed, shrugging her shoulders and putting the pink envelope
on the mantlepiece behind the Westminster
chiming clock, having had the presence of mind to stick the
postage stamp back on the envelope first.
OLD
FATHER VALENTINE
Just
before twentyfive-to-seven that evening, Albert and Gladys Gray
Albies parents were sitting in the living room
watching television, when there came a loud knocking on the front
door.
Who
on earths that? said Albert, looking towards
the hall door. Thas a fine time tcome visitin,
that is if thas that there Kleeneze
bloke agin, Ill tell him where he can stick his brushes...
Dornt
git orl het up, Dad, said his wife, getting up from her fireside
chair, yew stay where yew are, Ill go an git it!
Whilst
Gladys was unlocking the front door, Albie came in through the back
of the house, quickly making his way into the living room where
his father sat engrossed in watching the local evening news on television.
Hello,
Dad, he said kicking off his shoes and draping his coat over
the back of a chair. Wheres Mum?
Theres
someone at the front door, his father replied, barely taking
his eyes off the television screen, and, afore yew sit down,
do yew hang that coat o yours up where that belong
at the foot o the stairs!
Picking
up his coat, Albie opened the hall door to hang it on the clothes
peg at the bottom of the stairs, just as his mother came in from
the front room.
No
one there, Dad, there wunt, she said, returning into
the living room holding a small parcel, wrapped in colourful paper,
in her hand.
Someone
left this on the doorstep for us, she said, handing her husband
the little packet, that say To Gladys an Albert
onnit but I wonder who thas from?
I
reckn that hatta be from Old
Father Valentine, laughed Albie, giving his father a sly
wink.
| On
the eve of St Valentines Day 13 February
it had always an old Norfolk custom to knock
on door of ones sweetheart, leaving a small gift on the
doorstep from Father Valentine before running
off, unseen, into the night. Sometimes, mischievous youngsters
would just knock on the door and run away, or were even known
to prop a broom against the door guaranteed to fall into
the front room when the door was opened. Albies attempts
at continuing in the old ways were always a day
late preferring the night of the fourteenth of February
instead. There was method in his madness, however; if hed
received a Valentine card from his sweetheart hed
leave a present, but, if not well, theyd never
know what they had missed, would they? |
Whilst
were talking about Valentines, he continued, watching
as his father began unwrapping the present, I dont spuz
there wuz any post for me, wuz there, Mum?
On
the mantlepiece behind the clock, his mother replied,
more interested in the contents of the little parcel. Oooh!
How lovely! Look Albert, some Maltesers
for me an a bag o humbugs
for you!
Then, after popping a Malteser into her mouth, she turned to Albie
as he took the pink envelope off the mantlepiece: I reckn
that come from some mawther that do corse that hoolly
smell o parfoome ent you gorn topen it
then?
But
Albie was already halfway upstairs, where he intended to open the
envelope in the privacy of his bedroom.
BE
MY VALENTINE
Closing
the door behind him, Albie opened the pink envelope to reveal a
pretty Valentine card, with a large heart on the front around which
was the wording Love Me Do. But who was it from,
he wondered as he opened the card and read the message inside:
Love,
Love me do,
You know I love you,
Ill always be true...
I
might hev known it! he declared, after reading the
verse out loud to himself, whoever sent it, hent even
bothered to sign it...
It
was then he noticed the sweet smell of orange-blossom
coming from the card and envelope. His mother had been quite right,
it was perfume and rather nice it was too! Thinking
back, he was almost certain hed noticed that particular
brand of scent before. But when? Or where, or
more to the point on who? How he wished he could remember.
Albie
let the card fall on his bed and then, as it lay face down , he
noticed something scribbled, faintly in pencil, on the back: CU
2 NITE.
Of
course! Now Ive got it! he said, quickly putting
the card back in its envelope and popping it into the top drawer
of his bedside cupboard out of prying eyes. Thas bound
to be someone I know from Cromer wholl be at the Valentines
Day dance tonight...
And,
just look at the time five-past-seven already!
he continued, glancing at the alarm clock by his bed. Id
better get a move on if Im to get to Cromer by half-past.
With
that,
he quickly changed into his Chubby and The Checkers gear:
blue-checked shirt and charcoal grey trousers, nicely tapered but
slightly on the tight side. Then he put on his Beatle
jacket, collarless and in black velvety corduroy and, to complete
the effect, pulled on a pair of black, Cuban-heeled Chelsea boots
winklepickers with long pointed toes.
Nearly
forgot, he said to himself, reaching inside his cupboard for
the bottle of Old Spice, must look, and smell, my best
for my Valentine whoever she is!
Pouring
some aftershave into the palm of his hand, Albie patted it over
his face, then sprinkled some all over his Beatle-cut hairstyle
before going back downstairs.
Wuz
I right? his mother asked, as Albie went into the living room.
That card wuz from some mawther, wunt it?
No
one you know, replied Albie, also in the dark as to the identity
of his mystery admirer. But that wuz suffin strange
as the Queens head was stuck on upside down!
Anyway,
cant stop now, he continued, heading for the back door,
Im off out...
But
yew hent hed your tea yit... replied his mother.
No
time for that, Im off to the Gatehouse, Albie told her,
getting his Lambretta out of the shed. Im on stage at
Cromer Sec Mod in twetty minutes dont wait up, I may
be late!
Parking
his Lambretta at the Gatehouse Café, where the Chubby and
The Checkers manager was already waiting, Albie quickly went inside
and down to the cellar to collect his amplifier.
What
on earth time dyou call this? John, the groups
manager, asked him. Were due at Cromer
Secondary Modern by half-past Chubby and his boys will
be wondering where weve got to!
Sorry,
John I had to clean my shoes first, Albie lied, knowing
full-well his mother always did that chore for him.
And
just what have you forgotten? John replied, as Albie
struggled to lift his amplifier into the boot of the managers
car. Youll need something to play with, wont
you?
In
his haste to get himself ready, Albie had left his pride and
joy his Gibson guitar back at home.
Oh, sh...! he cursed, holding his head in his
hands. Id better nip an get it...
The
manager of Chubby and The Checkers shook his head. No time
for that, he said, going back into the café and returning
a few moments later with red Rosetti. Just as well I bought
this at the time I got the others I thought it would come
in useful some day...
B-but
I cant play that! Albie protested, looking
at the blood-red electric guitar. My Gibsons much
better, after all, what will people think?
Just...
get... in... the... car! John
told him angrily. Youre playing that guitar,
whether you like it or not!
Just
as they were about to leave, Albie was quite surprised to see Patsy,
the waitress, walking up the gravel drive outside the Gatehouse
Café.
 |
|
| CROMER
SEA FRONT FROM AN OLD POSTCARD |
|
Hi,
Albie, she said, through the cars open window. I
hope you have a nice time in Cromer tonight...
What
are you doing here? he asked her, as, normally, she
only worked at the café at weekends.
If
you must know, Patsy is babysitting for us tonight,
John said, edging his car out of the driveway and onto Station Road,
Joy, my wife, is off to a meeting of the Mothers Union
in the Church Hall and, for goodness sake, put your window
up will you, theres a helluver draught in here!
Winding
up his window, Albie failed to notice the sweet smell of orange-blossom
that lingered in the night air as Patsy turned on her heel and went
indoors.
DO
YOU WANT TO KNOW A SECRET?
At
Cromer Secondary Modern school, a great many teenagers had already
arrived and, packed into the main assembly hall like sardines, were
eagerly awaiting the start of The Valentines Day Dance.
Meanwhile, Kenny, aka Chubby, and the rest of The Checkers were
hurriedly fetching their equipment from the back of Johns
car and setting it up on stage, looking forward to their evenings
performance though with Albie still complaining about his
guitar!
Im
not looking forward to playing this thing! he told
the others, plugging the bright-red Rosetti into the amplifier.
Cant beat the sound of a Gibson...
If
you will leave your guitar at home, what can you expect?
Chubby reminded him, tuning his guitar. Just as well John
bought three the same, ent it? Anyway, yours ent
a real Gibson is it?
This,
of course, made Albie see red. In fact, he was so furious
his face was almost as red as his guitar. Now look you here,
he replied, angrily, if I say thas a Gibson
thas a Gibson...
Come
on, lads, said John impatiently, stop your bickering
and hurry it up lets get the show on the road, shall
we?
Then,
with a loud swish, the red-velvet curtains across the
stage began to glide open revealing Chubby and The Checkers as they
began playing the opening bars of their first number of the evening
The
Hippy, Hippy, Shake.
For
Goodness sake, sang Buster at the top of
his voice. I re got the Hippy Hippy Shakes, Ire
got the Shakes Ire got the Hippy Hippy Shakes...
With
that, boys and girls, teenagers, and those teachers who should have
known better, began leaping about on the springy wooden floor
jiving, cavorting, arms flying, heads nodding, legs kicking, in
time to the music.
Ooh, I cant
sit still, continued Buster, leaping about with the hand-mike
flailing wildly by its cord. With the Hippy Hippy Shakes,
I get my fill, now With the Hippy Hippy Shakes. Yeah, thas
in the bag, Ooh the Hippy Hippy Shake.
Go, Fingers,
Go! shouted Dave the drummer, and Albie began his first
instrumental break of the evening, wiggling his hips and shaking
his thighs, as his guitar screeched and wailed and echoed the length
and breadth of the large hall.
After a couple more
verses, followed by another instrumental, Chubby and The Checkers
finished their first song accompanied by tumultuous applause.
That seemed
to go down all right, said Chubby, turning to the other members
of his group, lets give em a slow number now,
shall we? Then Buster can git his breath back... Albie, can you
do that Billy J one we practised the other night?
Taking the microphone
from Buster, Albie screwed it back on its stand.
Hi, gals an
guys, its sure great to be with you all tonight, he
drawled in his best pseudo-Deep South accent. But, hey! Do
you wanna know a secret?
A small group of girls,
nearest the stage, began to giggle, then moved forward and leant
on the edge, peering up at him with their big Panda
eyes, heavy with Mascara. Go on, then, boy, said one,
leaning across the stage and making a grab at his leg. Whas
your little secret then?
For
goodness sake, Albie, get on with it! muttered Chubby, under
his breath. We hent got all night!
You
never know how much I really love you, sang
Albie, fixing his gaze on the girl with the Dusty
Springfield eyes. You'll
never know how much I really care
Then,
with a little fiddly melody bit on his guitar, which he found quite
difficult as he could never do two things at once:
Listen,
do you want to know a secret, Do you promise not to tell, woh, woh,
woh, Closer, let me whisper in your ear, Say the words you long
to hear, Im in love with you, oo-oo, oo, oo...
With
that, all the girls began to scream, throwing their hands up to
their faces and looking as if they were about to tear their hair
out!
Perhaps
one could even be his mystery admirer, he thought. But; was Albie
to discover the identity of his anonymous Valentine card sender
that night? In a word no!
QUE
SERA, SERA
In
the meantime, back at the Gatehouse Café, Patsy was babysitting.
Having put John and Joys two children to bed, and after reading
them a story, she settled down in the lounge overlooking Station
Road to watch television. Not much on, she thought, just an Alfred
Hitchcock film: The
Man Who Knew Too Much but she watched it all the
same.
Doris
Day had just begun to sing Que
Sera, Sera, as Patsy opened the box of Cadburys
Milk Tray for the second time and took another chocolate, her
favourite, the oval-shaped one with the tangy orange filling!
I
dont think he knows much at all that Albie,
she sighed, but, whatever will be, will be, I spose
Que Sera, Sera!
NEXT:
Albie gets tired of travelling by train and cadges a
lift to work. Meanwhile, Patsy turns on the charm but will
he notice? Find out now in Albie
Is Fed Up.
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