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EVERY
PICTURE TELLS A STORY...

...
place your mouse over any of the pictures and see what you
can discover.
MUSIC
MAESTRO PLEASE

As
each page is opened you should hear some music, to
compliment each story so, unless you hate music,
turn on the sound and ENJOY!
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ALBIE
MADE SOME NEW FRIENDS
On
that first day at the Norwich School of Art, in September
1957, Albie made many new friends here are just a few:

First
of all there was Geoffrey Moss, who came from Eye in Suffolk
and was always game for a laugh so Albie was in good
company!
After
leaving the Art School in 1960, Geoff began working for A
J Caley Ltd of Chapelfield, Norwich, designing chocolate boxes
and the chocolate shapes themselves!
Geoffs
main claim-to-fame was to come a few years later
when he became a guitarist with a pop group from Great Yarmouth
Peter Jay and the Jaywalkers.

Arthur
Chipperfield, or Dick as Albie still insists on calling him,
was another of Albies friends from his early days at
the Art School in St Georges.
At
lunchtime, on that first day, Albie, Geoff and Arthur went
to Norwich Market Place for a bag of chips and peas.
Also
with them was Ian Innes, but was he related to the
Neil
Innes of the Bonzo
Dog Do-Dah Band
fame?
Ian
usually dressed in a most unusual manner for those
early days sometimes wearing a long black, frock coat,
which, Albie recalls, got him a dressing down
from the Principal on one occasion.
Together,
on their first day, they say on one of the old iron seats
on the Castle mound, enjoying their chips.
Life
was good, they all had to agree, and it certainly beat working
for a living!
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TUTORS
DURING ALBIES DAY
(19571960)
NOEL
SPENCER
Principal
A quiet North Countryman and accomplished pen-and-ink
artist.
GEOFFREY
WALES
Graphic Design
A Graphic Designer, specialising in Wood Engraving.
LESLIE
DAVENPORT
Life Studies and Painting
Known as Dav to all his students, he introduced Albie
to Life Drawing.
JEFFREY
CAMP
Fine Art & Painting
Tried, but didnt succeed, to get Albie to express
himself in slabs of colour!
JOHN
ROWBOTTOM
Sculpture
Introduced Albie to pottery and sculpting figures in
clay.
MR
WEBSTER
Lettering
Taught Albie the skills of Calligraphy, banishing the
copperplate of school days.
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ALBIE
WAS SPELLBOUND at
the sight of the majestic red-brick building that stood before him,
which was to be his place of learning for the next three
years. The lad marvelled at the three storeys of tall windows and
the gleaming verdigris-encrusted copper-domed tower, as he gazed
in wonderment at the School of Art in St Georges Street, Norwich.
ON THAT SEPTEMBER
MORNING IN 1957, Albie
found himself being jostled by other students as he stood transfixed
on the granite steps leading to a pair of heavy wooden doors and
the entrance to the Art School. Once inside, he joined the eager
throng in the magnificent foyer the like of which hed
never seen before with the marble statue of some Greek entity
gazing down from its lofty plinth by a staircase.
Looks
pretty armless! chortled Albie to himself at the amputated
sculpture, then he noticed one small item of pudendum. Crikey,
thas a littlun!
Who you
callin a littlun? the lad standing behind Albie
asked, giving him a poke in the ribs.
No, not
you, laughed Albie, pointing to the statue. Him over
there wunt take a large fig leaf to cover that, would
it?
Whilst
Albie stood patiently queueing with the other students, he continued
his visual exploration of the main hall. Looking down, he noticed
the magnificent mosaic floor, with a fearsome lion standing guard
over Norwich castle. To Albies right was a magnificent staircase
with heavily-polished banister rails. How many students had been
tempted to slide down those, he wondered?
Next to the
staircase was an archaic lift with black-painted concertina doors,
which rattled and clattered upwards and out of sight.
There was a
definite aura about this place. It was a combination of all the
senses: the sound of happy, laughing voices echoing along distant
floors, the sight of so many different shapes and sizes, colours
and textures, that lined the walls and ceilings, together with the
unusual smells that invaded his nostrils. Lavender-scented polish
and beeswax, he noticed, particularly heavy in the air, and a more
pungent yet not at all unpleasant smell of paint and
linseed oil. Yes, thought Albie, there was a definite ambience about
this place.
Allowing his
senses to roam freely, Albie was suddenly aware of a more subtle,
floral fragrance, that threatened to engulf his inquisitive nostrils.
Tempting, invasive, but with an almost friendly warmth to it, this
new-found muskiness seduced him with its presence. Turning around
quickly, Albie realised there were members of the fairer sex there
as well!
GIRLS,
GIRLS, GIRLS!
Girls, at last,
he thought!
Girls with
long, golden, flowing tresses like the warmest, burnished copper
and some with the darkest, raven-black hair you ever did see.
Girls in pretty
gaily-coloured dresses prettily-patterned with butterflies and wild
flowers, with lacy, off-the-shoulder blouses in delicate pastel
shades, and around their necks beads of amber and colourful crystal
dangled provocatively with their every move and, from what
he could hear, they were all aspiring to be artists!
Albie found
it all so very hard to take in and hoped, when the time came, he
would be able to find the right words to say to these beautiful,
seductive enchantresses, and regretted being denied the chance of
fraternising with girls in the past.
Next,
please! called a voice in the office nearby. Whos
next?
Albie, still
daydreaming about the sights hed seen especially the
young ladies around him failed to take any notice.
Come
on, boy, wake up, said Brenda, the Art School secretary,
with a degree of impatience. Whas your name,
then?
A- A-Albie,
he stuttered, attempting to regain his composure. The names
Albie, an I watta be an Artist!
You an
everyone else, laughed Brenda, giving him a wry look. But,
you certainly look the part!
Albies
mother and father, knowing how much their one-and-only child had
set his mind on being an artist, had left no expense
spared on kitting him out for his first day at Art School
there he stood, in front of all the other students, wearing the
finest lilac shirt that money could buy from the Co-op, naturally
and a bright, canary-yellow bow tie! That was his parents
idea of what a real artist should look like! However, his bright
red beret, which his grandmother had thoughtfully presented
him, had mysteriously disappeared out of the train window
on the way to Norwich. Sorry, Granny!
The other students
all had a good laugh at the Sheringham lads get up,
which, as it turned out, was to be only the first of a great many
at the lads expense, but Albie didnt mind as he was
one step away from fulfilling his ambition to become an Artist!
Sign
here, Albie, said Brenda, giving him a form to complete. This
is for the Students Union you do want to join, dont
you? Thats a shilling a week! He quickly signed up and
joined the massed ranks of students everywhere.
Enrolling on
a four-year Graphic Design course, Albie noticed some students had
the yearning to become Pablo Picassos or Henry Moores, opting for
Painting or Sculpture instead.
Youll
do History of Art for the first year, Brenda informed
the lad. Then, in September 1958, youll start the Graphic
Design course with an Intermediate exam during the following
year!
Oh God,
no-oo! Albie said, exasperated at the thought of an
examination.Not another one I thought that wuz
all over an done with?
Examinations
had never been the lads strong point that much he already
knew for, when the results of his past efforts at the Paston
School had been made known, he had failed his GCEs miserably. All
except one that is, as, luckily for him, his favourite subject,
Art, had been passed with flying colours gaining 98%!
A BOHEMIAN
Albie had some
rather odd ideas about what being an artist meant, or thought
he did. He could see himself drawing and painting away to his hearts
content in some cosy, little rooftop garret, dressed in suitable
attire as was befitting an angry young man and thought of
himself as a Bohemian.
Now, if he
had taken the opportunity to discover the true meaning of
the word he might have felt differently about his adopted
title, as, roughly translated, it means of free and easy habits,
manners, and sometimes morals, of which his long-suffering
parents would have deeply disapproved!
However, he
remained in blissful ignorance and, being a bit of a romantic, was
eager to adopt the garb and lifestyle befitting of an artist of
Bohemia.
ALBIE
MEETS DAV
After enrolling,
Albie and the rest of the new students were given a guided tour
of the Art School, which occupied the top floor of the Victorian
building. Visiting each room in turn, they were shown where Graphic
Design, Painting, Sculpture, Textile Design and Calligraphy classes
were held and finally taken to the Principals office on the
top floor.
Nöel Spencer,
Principal of the Norwich School of Art, came out of his room at
the top of the stairs to welcome the new students. To Albie, he
appeared a genial, soft-spoken man, with a Northern accent and had
the distinction of being an accomplished pen and ink artist.
If you
would all like to follow me, Mr Spencer beckoned, puffing
on his favourite briar pipe amidst clouds of sweet-smelling tobacco
smoke.Well go and meet Mr Davenport, who will be your
tutor on your first day.
Leading the
way along the cream-painted, well-lit corridor, its walls decorated
with works of art by students of previous years, Mr Spencer opened
the door into the Life Room.
Inside, a ruddy-faced,
silver-haired man, wearing a bright red scarf knotted tightly around
his neck, was busily arranging easels and chairs in a gentle arc
around a central wooden platform.
This,
announced Nöel Spencer, with a flourish of his hand, is
our Mr Davenport or Dav, as he likes to be known.
Very
pleased to meet you, Sir, said Albie, holding out his hand,
having lost none of the good manners drummed into him at the Paston
School.
No;
man, Dav said rather touchily, or so Albie thought.
No! You dont call us Sir here, yknow
call me Dav, all right, man?
Albie, flushed
with embarrassment, nodded in agreement, but inwardly knew it was
going to take a lot of getting used to after the harsh disciplines
of his previous school.
Dav then began
by summoning all the students together. Take a seat at an
easel, he instructed them.Then, when I call ya
name out, stand up so we can all have a good look at you!
With much scraping
of chairs and rattling of easels, the students settled down as requested.
THE
ROLL CALL
When
I call ya names out, said Dav, standing on the wooden platform
in front of the students, stand up an we can all get
tknow one another, right man?
The art tutor
then began the roll call and, as a name was called out, a student
would arise, with the more extrovert amongst them taking a bow.
Heads turned, eye contact was made, and they all began to get to
know each other or at least put names to faces!
Geoffrey.
A boy from
Eye
in Suffolk, grinning from ear to ear, quickly stood up and gave
cheeky wave to the others.
Pippa,
called out Dav and a rather attractive, elfin-like girl quietly
rose to her feet, struggling to control her embarrassment, revealed
by her blushes.
It was all
so strange to Albie as, at his previous school, all his former
school friends were known by their surnames yet here, it
seemed, everyone was on first-name terms, including the tutors!
Albert,
said Dav, looking around the room. But no-one stood up.
Trying again,
but this time much louder in case the student of that name was hard
of hearing. ALBERT!
Still no reply
from the art students, many of whom were glancing around for the
elusive lad.
Albert!
Dav shouted, rather impatiently, is there nobody at
home?
This time he
gained a favourable response from the boy from Sheringham.
Actually,
the red-faced lad proclaimed, hoping to set the matter straight,
its Albie if you dont mind.
Oh, Actually
Albie is it, laughed Dav, and all the other Art students laughed
with him.
From that day
onwards, until the day Albie
left, the nickname stuck and he was always known as Actually
Albie! But he didnt mind of course as, for once in his
life, he was doing what he wanted and felt wholly
proud to be a real artist!
SQUARING
UP TO DAV
Right,
announced Dav, after hed called out all their names, I
think its a good idea for you to start with the effects of
light on form.
Then,
indicating a collection of inanimate objects lying in a higgledy
heap on the floor, he began to explain what he expected of his art
students.
Now,
have a go at these first, he said, pointing to the assortment
of wooden cubes, cylinders and spheres.
Just
look at the way they catch the light and cast shadows,
Dav continued, an how it emphasises the surface texture
do ya best to capture that, will ya?
Albie
set to work as instructed, holding his pencil at arms length,
as he had seen the other more mature art students do, and began
to transfer pencil to paper, whilst Dav went round the class giving
each and every student the benefit of his experience and some constructive
criticism.
Good,
man, he said, coming to Albie, youve captured
the form quite well, but, hey, man, watch out for your perspective!
Albie
could see what he meant and, taking an eraser from his pocket, began
to rub out the offending lines on his drawing.
No,
no, Albie, throw that thing away, Dav remarked loudly,
shaking his head furiously. Never use a rubber, always
keep your construction lines feint so that you can work over em
theyre all part o the drawing, man!
Under Davs
expert eye, they began to draw representations of wooden cubes and
cylinders, tackling the problems of light and shade. Using their
3B pencils to good effect, they captured the mellow shadows cast
by the north light streaming through the tall windows, high above
the River Wensum.
Albie made
many new friends that day. Sitting on one side of him was Nipper,
the littlun hed met earlier when enrolling,
who, he discovered, lived on Aldborough
Green where they played bandy-wicket which
he took to be a country version of cricket!
On Albies
other side sat Geoff from Eye, from the depths of darkest Suffolk,
beavering away at his drawing.
That
dunt look very much like a cube tme, said Albie,
leaning over to look at Geoffs work of art. But thas
pretty good, I hatta admit!
Looking up,
from the bland whiteness of the paper, pinned tightly to the drawing
board, were the familiar, surly features of Elvis Presley
all beautifully crafted in varying shades of black and white by
Geoffreys most capable hand.
Whats
this, man? snorted Dav, pausing to look over Geoffs
shoulder. I thought I said draw whas in front of you?
Too square,
man, laughed the lad from Eye, grinning sheepishly at his
tutor. Dont you just dig the beat?
Dav,
showing his displeasure by scribbling over Geoffs work
of art, replied coldly: Ill give you the beat
youve got the highlights all wrong, man!
Although, afterwards,
he had to admit the student showed some sense of direction
but where he was going was anybodys guess!
At lunchtime,
Albie joined Geoff from Eye, Nipper from Aldborough and Dick, from
nearby Magdalen Street, and together they made their way to Norwich
Market Place, with all its colourful sights and sounds of the costermongers
going about their business.
Pape-per,
pape-bor, shouted the blind newspaper seller on nearby Gentlemens
Walk, as the foursome made their way towards the tempting smells
of the chip stall at the back of the market.
Sitting on
a wrought-iron seat next to Norwich Castle, overlooking City Hall
and Davey Place, Albie began tucking into his chips-in-newspaper
hed bought from the market stall just off Guildhall Hill.
Glancing sideways
at his fellow art students, all suitably attired for their first
day at Art School, he ripped off his bow tie, loosened the neck
of his lilac shirt revealing his blue-enamelled St Christopher
medallion dangling on its imitation-gold chain and began
tucking into the mound of crispy, golden chips swimming in a pool
of vinegar.
This
is the life, he declared, taking another mouthful,
thas hooly
great to be a Bohemian, that is anorl!
NEXT:
Albie suffers an embarrassing moment when he takes
a look at life!
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